pop culture

On Thursday, Hasbro announced that its Mr. Potato Head brand would drop the "Mr." in a move toward inclusiveness. But they also made clear, in a move toward not being yelled at by the internet, that the Mr. Potato Head character (and the Mrs. Potato Head character, for that matter) would continue.

Also this week, the U.S. Postal Service unveiled a new design for its mail trucks. The internet yelled about that some, too.

And: Nomadland is Chloé Zhao's third film as writer and director. It is nominated for four awards at this weekend's Golden Globes, including two for Zhao (Best Director and Best Screenplay) and one for Frances McDormand (Best Actress in a Motion Picture -- Drama).

We had trouble mustering enthusiasm to wrap up our final episode of this second season of Pardon Me. Last week's roller coaster of a trial culminated in 43 senators choosing to acquit on a weak and deceptive defense -- despite a factual and painstaking accounting of how bad the breach was, how bad it might have been, and how Donald Trump incited it.

In a new essay for Harper's, filmmaker Martin Scorsese criticizes the current state of the movie business and all these new fangled streaming platforms and their algorithms. "We can’t depend on the movie business, such as it is, to take care of cinema," Scorsese says.

And: Judas and the Black Messiah is a biopic of Black Panther Party leader Fred Hampton. It is director Shaka King's studio feature film debut, and it's nominated for two Golden Globe Awards. It is one of two movies nominated for Golden Globes this year that portray Hampton (along with The Trial of the Chicago 7).

We live in an "Everything Should Take Twenty Minutes" world. Movies are too long. SundanceTV has a show that airs in 10-minute episodes. Tierra Whack has a 15-minute album made of fifteen 60-second songs. Todd Rundgren's memoir has 183 one-page, three-paragraph chapters.

So today, we turn our hour over to five short, little shows about short, little things.

WandaVision is a Disney+ miniseries that's part of the Marvel Cinematic Universe and that's set, like, inside the history of television? It follows Elizabeth Olsen as Wanda Maximoff and Paul Bettany as Vision as they try to conceal their superhero powers and blend into a generic sitcom neighborhood. Episodes so far have taken on the look and feel of American sitcoms from the 1950s, '60s, '70s, and '80s.

Olivia Rodrigo's "drivers license" is in its second week as the No. 1 song in the country, having debuted there last week. It is the first debut single by any artist to hit the Billboard Hot 100 at No. 1 in history.

And: Pretend It's a City is Martin Scorsese's seven-part Netflix documentary series about Fran Liebowitz that's actually also kind of about New York City.

And finally: How To with John Wilson is John Wilson's six-part HBO documentary series of advice and tutorials that's actually also kind of about New York City.

André Gregory has directed and acted in the theater for more than 50 years. He has appeared in a number of movies, including Martin Scorsese's The Last Temptation of Christ, Woody Allen's Celebrity, Brian De Palma's The Bonfire of the Vanities, Peter Weir's The Mosquito Coast, and many more. He has starred in three movies about the theater with the playwright, actor, and comedian Wallace Shawn: A Master Builder, Vanya on 42nd Street, and the iconic My Dinner with Andre.

Gregory's memoir is This Is Not My Memoir. He joins us for the hour.

Tom Cruise's seventh Mission: Impossible installment has been one of the few huge Hollywood productions trying to to figure out how to film during the pandemic. Cruise has been in the news lately for blowing up at his crew for breaking COVID protocols, and now he's back in the news for… buying COVID enforcement robots?

And: Could front porches be just the right "magical intermediate zone" to keep communities connecting during a time of social distancing?

And finally: Nicolas Cage is hosting a documentary series on Netflix called History of Swear Words. Normally I'd try to give you a little more context here, but I feel like that first sentence pretty much covers it.

Last weekend, a little girl asked her father for help opening a can of beans. Rather than help her, Bean Dad left his daughter to figure it out for herself. For six hours (supposedly). And tweeted about it. It was peak internet.

Also: This will come as a shock (it probably won't), but Kim Kardashian is rumored to be divorcing Kanye West. Or she's rumored to be about to be divorcing Kanye West. Or she's rumored to be considering divorcing Kanye West. Or something.

And finally: Bridgerton is a period drama series on Netflix produced by Shonda Rhimes. It's set in Regency London during "the social season," and you're either super interested in a show with that premise or you aren't.

Nietzsche called Richard Wagner "a volcanic eruption of the total undivided artistic capacity of nature itself," and Thomas Mann said he was "probably the greatest talent in the entire history of art."

More than a thousand movies have Wagner on their soundtracks, including classic scenes from Apocalypse Now, The Blues Brothers, Bugs Bunny cartoons, and Charlie Chaplin.

But, there's a reason Woody Allen says too much of Wagner's music gives him "the urge to conquer Poland." Wagner is nothing if not a problematic figure. As the new book Wagnerism: Art and Politics in the Shadow of Music puts it, "An artist who might have rivaled Shakespeare in universal reach is undone by an ideology of hate."

To round out the year, we round up the best jazz of the year. We've done this every year for at least the last seven years.

2020 was ... not great.

But, from a pop culture point of view, it wasn't so bad either. I mean, we got the Hamilton movie, The Queen's Gambit, the final season of Schitt's Creek, David Byrne's American Utopia, the Borat sequel, "WAP," I May Destroy You, Tiger King, two new Taylor Swift albums, Ma Rainey's Black Bottom...

The list goes on.

This hour, The Nose looks back at the year in pop culture that was 2020.

Ma Rainey's Black Bottom is George C. Wolfe's film adaptation of the August Wilson play. It stars Viola Davis in the title role and Chadwick Boseman in his final film performance, and it's available to stream on Netflix.

Christopher Nolan's Tenet was the first tentpole movie to be released in theaters during the pandemic. It did okay business (it's currently the third-highest grossing film of 2020), but nothing like what Warner Bros. would've hoped for in a normal time. It's still in theaters, and it's now available to buy on physical disc or from digital platforms. It will be available to rent digitally in January.

Kurt Andersen's last book, Fantasyland, looks at America's "centuries-old weakness for the untrue and irrational, and its spontaneous and dangerous flowering since the 1960s" and how it got us where we are today.

His new book, Evil Geniuses, is a kind of sequel, a companion. It's a parallel history, really, that looks more closely at "the quite deliberate reengineering of our economy and society since the 1960s."

This hour, public radio great Kurt Andersen on "the unmaking of America."

For decades, we didn't take television seriously. We saw it as ephemeral, as "chewing gum for the eyes," as, literally, furniture.

And then, around the turn of the century, things started to change. There was The Sopranos. The Wire. And, at the same time, shows like Big Brother and The Amazing Race. For Emily Nussbaum, it was Buffy the Vampire Slayer that forever changed her take on television.

This hour: A serious appraisal of television with The New Yorker's television critic.

2001: A Space Odyssey. Dr. Strangelove or: How I Learned To Stop Worrying and Love the Bomb. A Clockwork Orange. The Shining. Full Metal Jacket. Spartacus. Eyes Wide Shut.

This hour, a careful consideration of the filmmaker Steven Spielberg called "the best in history": Stanley Kubrick.

Mank is David Fincher's feature film portrayal of the writing of Citizen Kane. Gary Oldman plays the title character and Kane screenwriter, Herman J. Mankiewicz. Mank hit Netflix last Friday, and it's already got lots of Oscar buzz.

The Godfather: Part III is a movie that was actually nominated for seven Oscars 30 years ago (it didn't win any), and it's the third film in a series that had already won nine Academy Awards, including two Best Pictures. Part III, though, has always been thought of relatively poorly. And so, for its 30th anniversary this month, Francis Ford Coppola has rejiggered it and rereleased it as The Godfather, Coda: The Death of Michael Corleone. This new version is four minutes shorter, starts with a different scene, ends slightly differently ... and is ultimately the same movie.

In May, I discovered (along with the rest of the internet) a video on YouTube of a guy in his loft in Surrey, England ... solving a Sudoku puzzle. It was intense, a roller-coaster ride, and, ultimately, sublime.

Those are not words you might expect someone to use to describe watching a stranger solve a little number puzzle, but here we are.

Warner Bros. announced Thursday that all of its movies for all of 2021 will be available to stream on HBO Max the same day they debut in cinemas. The movie theater chains see this as "doomsday for the theatrical experience."

And: Three strange, metal monoliths having been discovered in recent weeks, one each in Utah, Romania, and California. The ones in Utah and Romania have since disappeared, and the one in Utah had stood undiscovered for at least four years before it was found.

Finally: The Undoing is a six-part HBO miniseries starring Nicole Kidman and Hugh Grant. Its finale aired Sunday.

Last week, President Obama twittered a list of "memorable songs" from his administration. The list was, let's just say, not necessarily well received.

Vaguely relatedly: Incoming secretary of state nominee Antony Blinken… has his own "wonk rock" tunes up on Spotify?

And: The Liberator is a sort of animated, four-part Netflix miniseries that tells the story of the 157th Infantry in World War II.

A hard-boiled private eye, a glamorous blond, and a hapless drifter all sit at a bar on the seamy side of town. It's night, the streets are wet, the shadows are long. They each nurse a drink to the notes of a mournful saxophone and a lonely piano. Smoke from the cigarettes swirls in the darkness.

We all know classic noir when we see it and hear it and read it; yet, we don't really know how to define the dark plots that expose humanity in all its moral ambiguity and loneliness.

The older I get, the more excited I am to be corrected when I’m wrong.

Sure, it may sting for a second because hearing someone say “actually…” can be kind of annoying, and if I’m wrong about something, then that means that contrary to my sparkling self-image, I don’t know it all.

Jeopardy! has been part of the fabric of American TV, in a couple different forms and across a couple different breaks, since 1964. It is the longest-running nationally-televised game show in U.S. television history.

At the 2015 Emmys, John Oliver quipped, "The sun could burn out, humanity could flee to another galaxy, time as we know it could cease to exist, but Alex Trebek will still be there scolding librarians from Ames, Iowa, to answer in the form of a question."

The world has an Alex Trebek-shaped hole in it. Which raises a question: Who should fill said hole?

Billie Eilish has a new single out this week, which got The Nose thinking about her now-in-limbo James Bond theme song, which got The Nose thinking about James Bond theme songs in general.

And: Ted Lasso is a half-hour comedy series on AppleTV+. It stars Jason Sudeikis as the title character, and it's based on a character Sudeikis developed in 2013 for a series of promos for NBC Sports's Premier League coverage, of all things.

Since nothing has really been going on lately, we figured we'd do an hour about the week in pop culture, as usual.

The Nose is sad to see Sean Connery go. But it's glad to see John Mulaney on SNL again.

And: The Queen's Gambit is Netflix's new limited series adaptation of the Walter Tevis novel of the same name.

Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan (on Amazon Prime) is a sequel to 2006's Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan. Sacha Baron Cohen returns as the titular character.

And: The Trial of the Chicago 7 (on Netflix) is Aaron Sorkin's film depiction of the 1969 trial of Abbie Hoffman, Jerry Rubin, David Dellinger, Tom Hayden, Rennie Davis, John Froines, Lee Weiner, and Bobby Seale. Here, Baron Cohen plays Hoffman.

It's our annual Halloween special! For this year, the script kind of wrote itself. We look at the way our current, actual horror is likely to affect our future fictional horror through the lens of the genre's past distinct historical eras.

Plus: A new study that seems to say that horror fans were better prepared for the pandemic than the wimpy rest of us were.

And: Every year on this show, for no particular reason, we look specifically at some classic horror movie that's celebrating its 40th anniversary. Two years ago, it was Halloween. Last year, it was Alien. This year, it's Stanley Kubrick's The Shining.

We wake up to coffee from a pod, listen to music through our EarPods from our iPods, drive our Smart cars and Fiats and other increasingly pod-shaped vehicles, wash our clothes using Tide pods, and while we wait for the clothes to dry, we listen to our favorite podcast through our AirPods from our HomePod. Sound about right?