The Nose

Bill Burr hosted Saturday Night Live last weekend, and his monologue -- which included bits about wearing masks, cancel culture, white women in the "woke" movement, Pride Month, and more -- has drawn some criticism. It has The Nose thinking about "How President Trump Ruined Political Comedy."

And: The West Wing ran for seven seasons and 156 episodes and ended more than 14 years ago. A new reunion special debuted yesterday, and it's got The Nose wondering how the classic show -- with its Capraesque, idealized vision of American politics -- plays against our present reality.

Undoubtedly, the thing that will most be remembered from Wednesday night's vice presidential debate is the fly that landed on Mike Pence's hair... and then stay there for more than two minutes. The Nose isn't sure what to make of that, exactly, but things are definitely being made of it.

And: Fargo is an anthology that premiered on FX in 2014. It's inspired by the Coen brothers' 1996 film. The fourth season, which is airing now, stars Chris Rock, Jessie Buckley, and Jason Schwartzman, and it's set in Kansas City, Missouri, in 1950.

The Nose had planned to discuss The Danish Girl star Eddie Redmayne standing up for J.K. Rowling and Rolling Stone updating their "500 Greatest Albums of All Time" list.

But then some news broke overnight.

Perhaps fittingly, though, The Nose watched Showtime's new miniseries, The Comey Rule, this week.

The Nose has been contemplating covering the controversy around the The Ellen DeGeneres Show literally for months now. The show returned with a new season of new episodes this week, and Ellen addressed allegations of a toxic work environment in her monologue.

And: The CBC series Schitt's Creek has been endorsed on any number of Noses over the years, but we've never actually covered it. But then, after it won literally ever Emmy in the comedy category on Sunday (a feat no show has ever before achieved), we decided that this week had to be the week.

Kim Kardashian and other celebrities "froze" their Facebook and Instagram accounts for one day this week "to protest the spread of hate speech and misinformation on those platforms." Meanwhile, Kardashian's husband had the strange sort of week that we've maybe grown to expect from him, but seemingly with more public peeing in it than we're maybe used to.

And: Cuties (Mignonnes in the original French) is the feature film debut of Senegalese-French writer and director Maïmouna Doucouré. The movie's release on Netflix has been controversial, to say the least.

It's been a week of ending things, really. Keeping Up with the Kardashians is ending after 20 seasons. Diana Rigg -- Emma Peel on The Avengers and Lady Olenna on Game of Thrones, among many other things -- died at 82. And, of course, people are trying to end the whole world with their gender reveal parties.

And then there's I'm Thinking of Ending Things. It's Charlie Kaufman's first movie for Netflix, and it stars Jesse Plemons and Jessie Buckley. It's based on Iain Reid's novel of the same name, which makes it the first movie Kaufman's ever directed not from his own original screenplay.

Carole Baskin is going to appear on Dancing with the Stars. And with that, I've typed the least surprising opening sentence in the history of Nose posts.

And: When Bill & Ted's Excellent Adventure came out in 1989, Alex Winter (Bill) was 23 and Keanu Reeves (Ted) was 24. Winter and Reeves are now 55 and 56, respectively, but that seems to be no reason not to put out a third Bill & Ted movie, 29 years after the second one. Bill & Ted Face the Music is now available on all your video-on-demand platforms.

And speaking of sequels to classic 1980s teen movies, the first two seasons of Cobra Kai have moved from YouTube to Netflix (who will produce a third season) and they've found a new audience.

This week, the NBA, the WBNA, MLB, MLS, tennis, and eventually the NHL all postponed games and matches in response to the shooting of Jacob Blake in Kenosha, Wisconsin.

And: A Tweet listing the "Top 7 Warning Signs In a Man's Bookshelf" -- including "Too Much Hemingway," you see -- caused a bit of a fuss on the Twitter.

The No. 1 song in the country -- "WAP" by Cardi B featuring Megan Thee Stallion -- seems to make just one concession to commercial decorum: its acronym title, which I won't be spelling out for you here. It's being called the "gloriously filthy song of the summer" and subversive "in almost every way, even as it plays with the limits of explicit expression."

Speaking of troublesome songs: Does The Band's classic "The Night They Drove Old Dixie Down" belong in the same category as bits of culture like Song of the South and Gone with the Wind?

And finally: Has it turned out that Kevin Costner's 1997 box office bomb, The Postman, is "the most accurate dystopian movie?"

The Nose is worried about movie theaters. The pandemic has done such damage to the industry that Hollywood has started treating the U.S. as a second-run market. And now the Paramount Consent Decrees have ended. (We're not exactly sure what that means, but it's not good.) Is the future of movie theaters... Walmart drive-ins?

And: She Dies Tomorrow is a horror-comedy-thriller written and directed by Amy Seimetz. It was supposed to premiere at this year's South by Southwest, which was canceled. She Dies Tomorrow is out now on video on demand platforms.

The Federal Communications Commission requires that The Nose cover each and every new Taylor Swift release*. Folklore is Swift's seventh number-one album, and it's become, in just two weeks, the highest-selling album of 2020 so far. But rather than just spending a segment talking about the album... We came across a term that's new to us: cottagecore. Folklore is, apparently, cottagecore. We're not entirely convinced that cottagecore is a thing, but we're covering it anyway, and we'll get to Folklore that way.

This New or Second or Third Golden Age of Television has been going on for 20 or 25 or 30 years now. Peak TV just won't stop peaking. For decades, there's just been no way to keep up. But then… suddenly we've all got a lot more time on our hands in our houses. And instead of finally watching The Wire and The Americans and Homeland and whatever else, we're all just rewatching Parks and Rec for the eleventeenth time.

And, hey, whoa: The New York Times bought Serial productions.

And finally: I May Destroy You is a BBC One and HBO show starring and written and created by Michaela Coel. Set in London, the series is a comedy-drama about consent and, ultimately, trauma.

Four years ago, over the course of three days, film crews documented the musical Hamilton as performed by nearly its entire original Broadway cast. Eventually, Disney bought the distribution rights to the movie and planned to release it in theaters next fall. But then there was a pandemic, and people were stuck in their houses, and the film dropped on Disney+ earlier this month.

The raft of renaming going on right now obviously hasn't spared popular culture. The Dixie Chicks and Lady Antebellum are now The Chicks and Lady A, respectively. Björk's record label changed its name. Democrats want to rename John Wayne Airport. FedEx has formally asked the Washington Redskins to change their name, and Guilford's board of education voted to drop the town's "Indians" nickname. And, while Splash Mountain is going to keep being called Splash Mountain, it won't be based on Song of the South anymore.

And: The King of Staten Island is the sixth feature film directed by Judd Apatow. It stars Pete Davidson (who also co-wrote the movie with Apatow and Dave Sirus) as a 24-year-old high school dropout who lives with his mother on Staten Island. It's available for rental on digital platforms.

No Country for Old Men. Fargo. The Big Lebowski. Raising Arizona. Barton Fink. Miller's Crossing. Blood Simple. The Ballad of Buster Scruggs.

Over the past 36 years, Joel and Ethan Coen have reliably been among the most recognizable voices in moviemaking.

This hour: a Noseish look at the work of the Coen brothers.

We've all seen any number of emails and Tweets and Facebook posts this week from companies supporting protests and the like. Entertainment industry firms have jumped on that bandwagon too, but The Washington Post's Alyssa Rosenberg has a different idea about how those particular players might be able to help: by shutting down all the police movies and TV shows.

And: Comedian Sarah Cooper has found an elegant, perhaps surprisingly effective way to lampoon the president. She just lip syncs to his own words.

And finally: The Vast of Night is the feature film debut of writer and director Andrew Patterson. He financed its $700,000 budget himself, and after its premiere at last year's Slamdance Film Festival, Amazon acquired it. The Twilight Zone-style sci-fi mystery debuted on Amazon Prime last weekend.

Hannah Gadsby has been a prominent comedian in Australia for going on 15 years. In America, though, she arrived seemingly from nowhere in 2018 with a Netflix special called Nanette, which won a Peabody and an Emmy. Douglas is Gadsby's follow-up Netflix special. It's, as she calls it, her "difficult second album that is also [her] tenth and some people's first."

And: I Know This Much Is True is a six-part HBO miniseries set in Connecticut and based on the Wally Lamb novel of the same name. Mark Ruffalo plays two twin brothers, one who suffers from paranoid schizophrenia and one who doesn't. Three episodes have aired so far.

Twitter announced on Tuesday that its employees who can work from home can continue to work from home -- for forever, if they want. One wonders how many companies will follow suit -- and how employees will feel about such an arrangement.

And: Ryan Murphy is the showrunner behind things like Nip/Tuck, Glee, American Horror Story, 9-1-1, and The Politician. In 2018, Murphy signed the largest development deal in the history of television with Netflix. His new miniseries, Hollywood, is the second project to come out of that deal.

23 Hours To Kill is Jerry Seinfeld's fourth-ever standup comedy special and his second for Netflix. It hit the streaming service on Tuesday, and The Nose thinks it's great. And also that it sucks.

And then: Waco is a six-part miniseries that tells exactly the story you'd guess it tells. Taylor Kitsch plays David Koresh. Waco was the big, original launch title for the Paramount Network when it rebranded from SpikeTV in January, 2018. So why is it relevant now? One wonders, but it was recently added to Netflix, and it's been trending there for weeks.

There are plenty of questions about what the future of live performance looks like right now, and, in certain ways, no form seems more displaced by social distancing and everything else than does standup comedy. As such, people are just going to have to try new things, right? New York club comedian Ted Alexandro's YouTube comedy special is one of the first such experiments.

Fiona Apple's new album, Fetch the Bolt Cutters, is currently the best-reviewed album, um, ever, according to Metacritic. Bon Iver has a new benefit single out that seems to have been written specifically for the present moment. Norah Jones has a new tune. Bob Dylan has kind of randomly put out two new songs, one of which charted in the U.K. despite being very nearly 17 minutes long.

And then, here's a trivia question: There are five artists who have charted singles in the Top 40 in each of the last four decades, Michael Jackson, Madonna, U2, Kenny G... and who's the fifth? Would you believe it's this guy?

Last weekend, Saturday Night Live aired a prerecorded special, "Saturday Night Live at Home." Tom Hanks hosted from his kitchen. Michael Che and Colin Jost did Weekend Update from their living rooms and by Zoom or something similar. Chris Martin covered a Bob Dylan song in front of handwritten "ENTRANCE TO TRAIN" signs.

All of the late night shows are operating in some similar way right now. Jimmy Kimmel hosts from his living room and has people like Jason Bateman on by Skype or whatever. John Oliver sits at his desk in front of a mysterious white wall. Samantha Bee hosts from the woods.

We've entered a moment where the director of the National Institute of Allergy and Infectious Diseases is a celebrity. You can buy donuts with his face on them. A petition to make him People's Sexiest Man Alive has more than 13,000 signatures. And, yes, sales of Dr. Anthony Fauci bobblehead dolls have raised more than $100,000.

At the same time, how do we find community in this time of COVID and quarantine and social distance?

The novel coronavirus has started to take its toll on figures from our popular culture. Adam Schlesinger, who founded Fountains of Wayne and wrote songs for Crazy Ex-Girlfriend among other things, died on Wednesday. The great playwright Terrence McNally died last week. The list goes on: songwriter Alan Merrill, country music star Joe Diffie, fashion designer Jenny Polanco, college basketball star Dave Edwards, actor Mark Blum, soccer star Lorenzo Sanz. And it seems like the jazz community has been especially vulnerable: guitarist Bucky Pizzarelli, pianists Ellis Marsalis and Mike Longo, and trumpeter Wallace Roney have all died.

And then: Dave is an FXX comedy series that tells a fictionalized version of the rise of rapper Lil Dicky, and John Mulaney & The Sack Lunch Bunch is a Netflix children's special that Mulaney made "on purpose."

Last Friday night, Disney released the #1 movie in the country -- Pixar's Onward -- for digital download on iTunes/Amazon/etc. It's safe to say, that's the first time that's ever happened.

When you say "the #1 movie in the country," you're talking about what was #1 last weekend or maybe last week. Onward was also the #1 movie in the country specifically on last Thursday... when it made $33,296. There are times when movies make that per screen.

There's a movie on that domestic chart that one person went to see. It made $6. That movie, though, wasn't at the bottom of that chart… because there are three movies on that chart that no one went to see. In the country.

As with all things, The Nose has never been a Nose quite like this week's Nose. First off, for almost every Nose ever, we've put four (sometimes more) people in a radio studio for an hour. This Nose is four people talking to each other from very separate places, and none of them is a radio studio.

Meanwhile, we've said goodbye to movie theaters. Tom Hanks and Rita Wilson and Idris Elba have all tested positive. People have been using Tinder as a news service. I mean, it's hard to imagine that we'll ever go back to normal.

And so, we might as well watch some TV then, right? The Nose has tried out Hulu's new adaptation of High Fidelity with Zoë Kravitz in the lead role.

Katy Perry dropped a new single and video (which we apparently call a "visual" now) on Wednesday night. The video ends with what's being called "a stunning reveal."

And: A pair of new comedy specials caught the Nose's eye. Pete Davidson's Alive in New York on Netflix and Whitmer Thomas's The Golden One on HBO are both kind of... sad-funny? Funny-sad? And maybe in a particularly millennial way.

Quarantine culture is coming. Maybe. So we start with a look at the coronavirus in comedy, COVID in culture, etc.

And then: Knives Out is Rian Johnson's fifth feature film as writer and director. It's mostly a howcatchem in the vein of Columbo and an all-star ensemble cast murder mystery in the tradition of Agatha Christie adaptations like Murder on the Orient Express. It was nominated for three Golden Globes, including Best Picture (Musical or Comedy), and Johnson's screenplay was nominated for an Oscar. It's out on DVD/Blu-ray/4K and for rental on iTunes/Amazon/etc. this week.

The Outsider is a planned 10-episode HBO miniseries based on the Stephen King novel of the same name. It airs on Sundays nights, and we're six episodes in so far. The premise is actually pretty simple: What if a guy actually were in two places at once? Then what? The ramifications of that, though, are about as complicated as you'd expect from Stephen King.

And: a look at the Gayle King/Snoop Dogg controversy, our latest edition of Carolyn Paine Explains a New Dating Term, and Netflix finally changes that one thing you've always hated... unless you didn't hate it.

Every year, The Nose almost accidentally ends up covering a broad swath of the movies that wind up being nominated for Oscars.

I was a little worried this year, though, that some nonsense that's going on with the government (and its attendant preemptions) might prevent us from seeing and talking about as many of the awards season movies as we'd like to.

It turns out that, one way or another, we somehow got to 15 Oscar-nominated films accounting for fully 71 Academy Award nominations. Phew.