The Nose

Twitter announced on Tuesday that its employees who can work from home can continue to work from home -- for forever, if they want. One wonders how many companies will follow suit -- and how employees will feel about such an arrangement.

And: Ryan Murphy is the showrunner behind things like Nip/Tuck, Glee, American Horror Story, 9-1-1, and The Politician. In 2018, Murphy signed the largest development deal in the history of television with Netflix. His new miniseries, Hollywood, is the second project to come out of that deal.

23 Hours To Kill is Jerry Seinfeld's fourth-ever standup comedy special and his second for Netflix. It hit the streaming service on Tuesday, and The Nose thinks it's great. And also that it sucks.

And then: Waco is a six-part miniseries that tells exactly the story you'd guess it tells. Taylor Kitsch plays David Koresh. Waco was the big, original launch title for the Paramount Network when it rebranded from SpikeTV in January, 2018. So why is it relevant now? One wonders, but it was recently added to Netflix, and it's been trending there for weeks.

There are plenty of questions about what the future of live performance looks like right now, and, in certain ways, no form seems more displaced by social distancing and everything else than does standup comedy. As such, people are just going to have to try new things, right? New York club comedian Ted Alexandro's YouTube comedy special is one of the first such experiments.

Fiona Apple's new album, Fetch the Bolt Cutters, is currently the best-reviewed album, um, ever, according to Metacritic. Bon Iver has a new benefit single out that seems to have been written specifically for the present moment. Norah Jones has a new tune. Bob Dylan has kind of randomly put out two new songs, one of which charted in the U.K. despite being very nearly 17 minutes long.

And then, here's a trivia question: There are five artists who have charted singles in the Top 40 in each of the last four decades, Michael Jackson, Madonna, U2, Kenny G... and who's the fifth? Would you believe it's this guy?

Last weekend, Saturday Night Live aired a prerecorded special, "Saturday Night Live at Home." Tom Hanks hosted from his kitchen. Michael Che and Colin Jost did Weekend Update from their living rooms and by Zoom or something similar. Chris Martin covered a Bob Dylan song in front of handwritten "ENTRANCE TO TRAIN" signs.

All of the late night shows are operating in some similar way right now. Jimmy Kimmel hosts from his living room and has people like Jason Bateman on by Skype or whatever. John Oliver sits at his desk in front of a mysterious white wall. Samantha Bee hosts from the woods.

We've entered a moment where the director of the National Institute of Allergy and Infectious Diseases is a celebrity. You can buy donuts with his face on them. A petition to make him People's Sexiest Man Alive has more than 13,000 signatures. And, yes, sales of Dr. Anthony Fauci bobblehead dolls have raised more than $100,000.

At the same time, how do we find community in this time of COVID and quarantine and social distance?

The novel coronavirus has started to take its toll on figures from our popular culture. Adam Schlesinger, who founded Fountains of Wayne and wrote songs for Crazy Ex-Girlfriend among other things, died on Wednesday. The great playwright Terrence McNally died last week. The list goes on: songwriter Alan Merrill, country music star Joe Diffie, fashion designer Jenny Polanco, college basketball star Dave Edwards, actor Mark Blum, soccer star Lorenzo Sanz. And it seems like the jazz community has been especially vulnerable: guitarist Bucky Pizzarelli, pianists Ellis Marsalis and Mike Longo, and trumpeter Wallace Roney have all died.

And then: Dave is an FXX comedy series that tells a fictionalized version of the rise of rapper Lil Dicky, and John Mulaney & The Sack Lunch Bunch is a Netflix children's special that Mulaney made "on purpose."

Last Friday night, Disney released the #1 movie in the country -- Pixar's Onward -- for digital download on iTunes/Amazon/etc. It's safe to say, that's the first time that's ever happened.

When you say "the #1 movie in the country," you're talking about what was #1 last weekend or maybe last week. Onward was also the #1 movie in the country specifically on last Thursday... when it made $33,296. There are times when movies make that per screen.

There's a movie on that domestic chart that one person went to see. It made $6. That movie, though, wasn't at the bottom of that chart… because there are three movies on that chart that no one went to see. In the country.

As with all things, The Nose has never been a Nose quite like this week's Nose. First off, for almost every Nose ever, we've put four (sometimes more) people in a radio studio for an hour. This Nose is four people talking to each other from very separate places, and none of them is a radio studio.

Meanwhile, we've said goodbye to movie theaters. Tom Hanks and Rita Wilson and Idris Elba have all tested positive. People have been using Tinder as a news service. I mean, it's hard to imagine that we'll ever go back to normal.

And so, we might as well watch some TV then, right? The Nose has tried out Hulu's new adaptation of High Fidelity with Zoë Kravitz in the lead role.

Katy Perry dropped a new single and video (which we apparently call a "visual" now) on Wednesday night. The video ends with what's being called "a stunning reveal."

And: A pair of new comedy specials caught the Nose's eye. Pete Davidson's Alive in New York on Netflix and Whitmer Thomas's The Golden One on HBO are both kind of... sad-funny? Funny-sad? And maybe in a particularly millennial way.

Quarantine culture is coming. Maybe. So we start with a look at the coronavirus in comedy, COVID in culture, etc.

And then: Knives Out is Rian Johnson's fifth feature film as writer and director. It's mostly a howcatchem in the vein of Columbo and an all-star ensemble cast murder mystery in the tradition of Agatha Christie adaptations like Murder on the Orient Express. It was nominated for three Golden Globes, including Best Picture (Musical or Comedy), and Johnson's screenplay was nominated for an Oscar. It's out on DVD/Blu-ray/4K and for rental on iTunes/Amazon/etc. this week.

The Outsider is a planned 10-episode HBO miniseries based on the Stephen King novel of the same name. It airs on Sundays nights, and we're six episodes in so far. The premise is actually pretty simple: What if a guy actually were in two places at once? Then what? The ramifications of that, though, are about as complicated as you'd expect from Stephen King.

And: a look at the Gayle King/Snoop Dogg controversy, our latest edition of Carolyn Paine Explains a New Dating Term, and Netflix finally changes that one thing you've always hated... unless you didn't hate it.

Every year, The Nose almost accidentally ends up covering a broad swath of the movies that wind up being nominated for Oscars.

I was a little worried this year, though, that some nonsense that's going on with the government (and its attendant preemptions) might prevent us from seeing and talking about as many of the awards season movies as we'd like to.

It turns out that, one way or another, we somehow got to 15 Oscar-nominated films accounting for fully 71 Academy Award nominations. Phew.

We've done this show every year around this time for some number of years now. Unless we missed a year or two in there somewhere. But we've probably tried to do this show for every year that The Nose has existed. Of course, we aren't really sure how many years The Nose has existed.

But the point is: The 92nd Academy Awards are this Sunday, and so this hour, it's the 2020 edition of The Noscars, which will cover movies from 2019 just like the 2020 edition of the Oscars covers movies from 2019. Or something.

Sam Mendes's World War I drama, 1917, is currently the #1 movie in America. It won Golden Globe Awards for Best Director and Best Picture -- Drama, and it's nominated for 10 Academy Awards, including Best Picture, Director, Original Screenplay, and Cinematography. The cinematography nomination is probably the least surprising one, as the entire movie is shot to look as though it was one long, unbroken take.

The Rise of Skywalker is the third and final movie in the third (and final?) trilogy -- the sequel trilogy in the trilogy of trilogies -- in the main, so-called "Skywalker Saga" of the Star Wars narrative. It's the eleventh Star Wars movie overall, the fifth since Disney bought Lucasfilm and took over the franchise, and the second directed by JJ Abrams (after The Force Awakens, the first of the Disney Star Wars films and the highest-grossing movie in the history of the United States). It is... somewhat divisive. The Nose weighs in.

And: Prince Harry and Meghan Markle have announced that they're backing away from their role as royals.

Plus: Winter. You either hate it, or you love it.

Cats -- the new feature film based on the musical by Andrew Lloyd Webber and starring James Cordon, Judi Dench, Jennifer Hudson, Taylor Swift, and others -- opened last weekend and grossed $6.6 million in the U.S. It is the 19th-worst opening for any movie in very wide release in history. The 18 movies that opened to less money on a similar number of screens are mostly a bunch of stuff that you don't remember ever existed: Hoot, The Seeker: Dark Rising, Fun Size, Hardcore Henry, Keeping Up with the Joneses, The Wild Thornberrys Movie, etc.

Oh, and I forgot to say: In addition to being a financial disaster, Cats is also... terrible. It earned a C+ CinemaScore from audiences (which is really bad). And it's at 18% on the Tomatometer (which is really rotten). It's so bad that Universal released an updated version to theaters early this week that has hopefully slightly less bad special effects.

Last Thursday, Elon Musk unveiled Tesla's Cybertruck and Sacha Baron Cohen gave the keynote address at an Anti-Defamation League summit. Both performances have drawn mixed reactions.

And: The Mandalorian is the big, new, original, launch title for Disney's new streaming service, Disney+. It's a half(ish)-hour western set in the Star Wars universe, and three episodes have dropped so far.

The Irishman is Martin Scorsese's first gangster movie in thirteen years. It's his first feature-length film with Robert De Niro in 24 years and his first with Harvey Keitel in 31 years. It's Joe Pesci's first onscreen performance since 2010 and just his third since 1998. It's the first time any combination of Al Pacino, Joe Pesci, and/or Harvey Keitel has ever worked together, and it's the first time Scorsese has ever directed Pacino.

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The news comes fast in the world of the canceled these days. Louis CK is back out on tour. President Obama has a "very boomer view" of the whole thing. The New York Times reports on teens' takes.

Meanwhile, some celebrities, rather than getting themselves canceled, are getting themselves arrested. Jane Fonda, for instance. And Sam Waterston. And Ted Danson.

And: Bong Joon Ho's genre-defying new movie, Parasite, won the Palme d'Or at Cannes, and it's being called "a nearly perfect film" and "the best movie of the year."

Watchmen is a limited series of comic books that became a graphic novel in 1987 and a feature film in 2009. And now it's an HBO series from Damon Lindelof that acts as a kind of sequel to the original comics, set 34 years later.

And: Today is John Dankosky's last day at Connecticut Public after 25 years. There is just no denying that WNPR wouldn't be what it is -- and The Colin McEnroe Show wouldn't be at all -- if it weren't for Mr. Dankosky. The Nose tries to begin to come to terms.

Every year around this time, we like to take a look at just what's frightening us in the present moment. This year, we start with our present take on a past horror classic, Ridley Scott's Alien, which has its 40th anniversary this year.

Plus: Ari Aster's Hereditary follow-up, Midsommar, is set at a pagan retreat in rural Sweden. As such, it's seen as a bit of a reinvigoration of the folk horror genre, which includes classics like The Wicker Man and more contemporary titles like The VVitch.

This week, The Washington Post published "The 20 defining comedy sketches of the past 20 years" covering television sketch comedy of the 2000s. It includes a lot of what you'd expect it to include: SNL's "More Cowbell" and "Black Jeopardy with Tom Hanks," Inside Amy Schumer's "Last F---able Day," Chappelle's Show's "Frontline -- Clayton Bigsby."

Martin Scorsese is a grump. He doesn't like Marvel movies. He says they aren't "cinema." He says they aren't even narrative films, and "we shouldn't be invaded by it." The internet, as you can imagine, has takes.

And: The Eddie Murphy comeback is on. He appeared on Comedians in Cars Getting Coffee this summer. He's hosting Saturday Night Live in December. He's got multiple standup comedy specials in the works. And right now he's starring in the briefly-in-theaters-but-hitting-Netflix-next-weekend biopic Dolemite Is My Name.

Joker is director Todd Phillips's modern take on movies like Taxi Driver and The King of Comedy. It stars Joaquin Phoenix in the title role in what happens also to be... a Batman movie. It's been called "a gloriously daring and explosive film" and "a movie that borders on genius" but also "bleak and juvenile" and "a movie of a cynicism so vast and pervasive as to render the viewing experience even emptier than its slapdash aesthetic does."

The Netflix limited series Unbelievable stars Toni Collette, Merritt Wever, and Kaitlyn Dever. It tells the true story of a serial rapist and the investigation that caught him, and it's based on the Pulitzer Prize-winning Marshall Project and ProPublica article "An Unbelievable Story of Rape" and the This American Life episode based on that.

The Nose couldn't decide which of last weekend's two big new movies to go see, so it went to both.

Downton Abbey, the feature film continuation of the incredibly popular PBS series, is the number one movie in the country. Its $31 million opening was the biggest ever for the studio that made it, Focus Features. Not bad for a PG-rated, special effects-free drama made for grownups.

Merriam-Webster has added 533 new words to its dictionary. Words like "deep state," "pickleball," "escape room," and "Bechdel test." My favorite is probably "fatberg." But there's a particular new dictionary entry that The Nose is specifically interested in: "dad joke."

Sticks & Stones is Dave Chappelle's fifth standup comedy special for Netflix in three years. All four previous specials won the Grammy for Best Comedy Album, and one of them won the Emmy for Outstanding Variety Special. The critical response to this latest special, though, has been a bit more muted.