Will Hermes
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Music critic Will Hermes reviews the latest album from Perfume Genius, Too Bright.
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Though she's been a popular singer since the '80s, Natalie Merchant has often worn the air of one who finds pop stardom distasteful. On her new self-titled LP, she dredges that tension to the fore.
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On the 2010 album Scratch My Back, Gabriel covered songs by the musicians he loves. For the follow-up, he invited those artists — who include Arcade Fire, Randy Newman, David Byrne, Regina Spektor, Lou Reed, Bon Iver and more — to cover his own material.
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As the androgynous vocal half of Rhye, Michael Milosh keeps himself enshrouded in mystery. But his new solo album is more revealing, forthcoming, sexy and domestic.
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With a new record, the band Arcade Fire is trying to top their 2011 release, which won a Grammy for Album of the Year. Critic Will Hermes says that on Reflektor, they turn to dance music to try to reinvigorate their sound.
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Producer and singer-songwriter Abel Tesfaye became an Internet phenomenon in 2010, when he began self-releasing free mixtapes of woozy, haunted R&B songs. His proper major-label debut, Kiss Land, marks his official step into the limelight.
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The duo, which sounds like Tom Petty after some Red Bull-and-vodkas, hones the scream to an art.
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Van Etten's new album, Tramp, is titled after the touring artist's time of essential homelessness. It's full of unresolved restlessness, infinite-loop longing and expansive vocals.
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The Brazilian artist's new album, Sem Nostalgia, is a tribute to the spirit of the traditional bossa nova movement in Brazil.
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The San Francisco band's latest is called Father, Son, Holy Ghost, but the reverence it displays is more musical than spiritual.