The biggest surprise about Oliver Stone's Snowden is probably how controversial it isn't. Which isn't to say that it isn't somewhat controversial -- anything about Edward Snowden is bound to be somewhat controversial. But for an Oliver Stone conspiracy thriller, The Nose finds Snowden to be pretty tame.
After a four-year gestation period, and more than a year's worth of delays, Frank Ocean's second studio album dropped last weekend. There are two different versions of the album: a physical version that was only available in pop-up shops in four cities last Saturday and the currently iTunes-exclusive digital version. The album is called Blonde, but the cover says "Blond." And there's a separate, different video album, Endless, that was released last Friday. It's all very complicated. The Nose gets into it.
Start with four parts "E.T.: The Extra-Terrestrial." That's your base. Then you'll need two parts "The Goonies," two parts "Poltergeist," and two parts "Alien." Mix in one part each of "It," "Stand by Me," "Firestarter," "Explorers," "Carrie," and "Close Encounters of the Third Kind." Add a Winona Ryder-shaped dollop of "Beetlejuice," and top off with a dash of the covers of classic '70s and '80s horror novels.
In January 2015, when it was announced that a planned new Ghostbusters movie would feature four female leads, internet fanbros went crazy. And then, this March, when the first Ghostbusters trailer came out, the internet fanbros went crazy all over again.
As you may have heard, Pokemon is back (are back?) with the release last week of a new game. Pokemon Go is an augmented reality app that, through the magic of GPS on your phone, adds Pokemon to your surroundings, or, at least, to your surroundings as represented on your phone's screen, so that you can catch them.
There's a new entry in the long, long canon of Tarzan stories and adaptations and shows and movies and musicals and Happy Meals toys or whatever. This time around, True Blood's Alexander Skarsgård stars as the bare-chested, animal-whispering titular character. The Nose went to see "The Legend of Tarzan," and we can't help but recognize its troubles of race and unending violence in this week's news.
I swear we almost never pick the Nose panelists based on the topics we plan to discuss. (We barely ever even plan in the first place, to be honest.) I asked Mr. Dankosky -- former Vice President of News for WNPR, current Executive Editor of the New England News Collaborative -- weeks ago to make his Nose debut this Friday.
Paul Simon's 13th solo studio album, Stranger to Stranger, is out on Friday. It has apparently been gestating for going on four years, and it's full of Harry Partch's microtonal instruments like cloud chamber bowls and the chromelodeon. Dean Drummond's zoomoozophome even makes an appearance. At the same time, the album is pretty rockin' and fun.
Comedian Maria Bamford's new Netflix single-camera sitcom, "Lady Dynamite," premiered last Friday. And it's... odd. It's surreal. It's sad. It's a comedy that's very much about mental illness and loneliness and anxiety. And it's a comedy that's very much about itself too.
And after 15 seasons and 555 episodes and more than 345 Billboard chart toppers, "American Idol" is done with us. Love it or hate it, the show changed the American television business, the American reality television business, the American music business. It gave us Jennifer Hudson and Kelly Clarkson and Ryan Seacrest. And it gave us Taylor Hicks and William Hung. And Ryan Seacrest. We unpack the whole thing, the good and the bad.
I get that it's stupid April Fools' Day, and so you can't trust anything you see on the stupid Internet. Except for the Trump quotes. The Trump quotes are just as legitimate today as they are on all the other days.
But so let me just make it clear right now that I'm totally serious when I say that on this edition of The Nose we talk about...
He wasn't bitten by a radioactive spider. He didn't originate from another planet. And yet, Batman has managed to maintain a devoted audience for nearly a century. Joining The Colin McEnroe Show, two comic experts explained Batman's enduring power in the entertainment industry, and why filmmakers continue to make adaptations of the series.