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In the late 1960s, jazz saxophonist Charles Lloyd sold millions of records by tapping in to the psychedelic sounds of the days

He achieved a “superstar” status, unfamiliar to jazz musicians today, thanks to the cross-over appeal of this soulful and experimental music.  His 1967 album, “Forest Flower” was one of the biggest selling jazz records of all time.  

Jill Steinberg

The Hartford Symphony Orchestra has named Carolyn Kuan its new music director.

Kuan visited our studios last year when she was touring Hartford as a candidate. She's the 10th music director for the HSO and the first woman to hold the position.

She sat down with us again to talk about her vision for the HSO's future. Kuan gave her thoughts on music, Mozart, symphonic performance and how she plans to make the HSO more accessible to patrons increasingly distracted by digital white noise.

New Haven Independent

Yann Beaullan’s mother is Jewish; his father is Cambodian. He grew up listening to Buddhist chants. On Sunday he was worshiping in Wooster Square—to the strains of alto saxes offering Coltranesque riffs on the Christian hymn “Praise God From Whom All Blessings Flow.”

Beaullan has joined what might be called a “happening” new phenomenon in the pews: a weekly jazz-style eucharist that is transforming St. James and St. Paul’s from one of the “frozen chosen” Episcopal churches in town to one of the coolest places to worship in New Haven.

Revisit Metal's Roots with Ghost

Jan 24, 2011

This week on The Needle Drop, we've got oddball garage rock from Fergus & Geronimo, and some pop rock on the straight and narrow with Smith Westerns.

We're also serving up a track review from Tennis' new album, Cape Dory; plus, some Swedish metal that looks to the past on Ghost's Opus Eponymous.

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