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Hotel du Vin & Bistro / flickr creative commons

Historian Christine Sismondo says that "America, as we know it, was born in a bar."

Taverns were where the Boston Tea Party was planned. They were where court cases were carried out, where land was bought and sold, where immigrants came to congregate.

Over the centuries since, bars have fostered so much social change. And today, they're where we go to meet people, to catch the game, to talk about our problems, to relax.

Disney

Four years ago, over the course of three days, film crews documented the musical Hamilton as performed by nearly its entire original Broadway cast. Eventually, Disney bought the distribution rights to the movie and planned to release it in theaters next fall. But then there was a pandemic, and people were stuck in their houses, and the film dropped on Disney+ earlier this month.

Universal Pictures

The raft of renaming going on right now obviously hasn't spared popular culture. The Dixie Chicks and Lady Antebellum are now The Chicks and Lady A, respectively. Björk's record label changed its name. Democrats want to rename John Wayne Airport. FedEx has formally asked the Washington Redskins to change their name, and Guilford's board of education voted to drop the town's "Indians" nickname. And, while Splash Mountain is going to keep being called Splash Mountain, it won't be based on Song of the South anymore.

And: The King of Staten Island is the sixth feature film directed by Judd Apatow. It stars Pete Davidson (who also co-wrote the movie with Apatow and Dave Sirus) as a 24-year-old high school dropout who lives with his mother on Staten Island. It's available for rental on digital platforms.

Universal Pictures Home Entertainment

Bill Murray, Eddie Murphy, Chevy Chase, Steve Martin, John Belushi, John Candy, Rick Moranis.

Animal House, The Blues Brothers, Beverly Hills Cop, Caddyshack, The Jerk, Ghost Busters, ¡Three Amigos!, Funny Farm, Spaceballs, Stripes.

We maybe didn't properly appreciate it at the time, but the 1980s were one of the most fertile periods ever for screen comedies and screen comedians.

This hour, a look at the mavericks who shaped a whole comedy aesthetic and at some of the most popular movie comedies ever made.

Warner Bros.

The movie musical died a long, slow death a long time ago. Right?

Well, except that there's La La Land. And Moana. And The Greatest Showman and A Star Is Born and Mary Poppins Returns. Oh, and Bohemian Rhapsody and Rocketman. And Frozen II and The Lion King and Aladdin.

Those are just from the last five years. And I could keep going, but then I might forget to mention that Steven Spielberg's version of West Side Story is scheduled to come out this year or that the Hamilton movie comes out next week.

This hour, a long look at the long-dead movie musical. Long live the movie musical.

Miramax, LLC

No Country for Old Men. Fargo. The Big Lebowski. Raising Arizona. Barton Fink. Miller's Crossing. Blood Simple. The Ballad of Buster Scruggs.

Over the past 36 years, Joel and Ethan Coen have reliably been among the most recognizable voices in moviemaking.

This hour: a Noseish look at the work of the Coen brothers.

Amazon.com, Inc.

We've all seen any number of emails and Tweets and Facebook posts this week from companies supporting protests and the like. Entertainment industry firms have jumped on that bandwagon too, but The Washington Post's Alyssa Rosenberg has a different idea about how those particular players might be able to help: by shutting down all the police movies and TV shows.

And: Comedian Sarah Cooper has found an elegant, perhaps surprisingly effective way to lampoon the president. She just lip syncs to his own words.

And finally: The Vast of Night is the feature film debut of writer and director Andrew Patterson. He financed its $700,000 budget himself, and after its premiere at last year's Slamdance Film Festival, Amazon acquired it. The Twilight Zone-style sci-fi mystery debuted on Amazon Prime last weekend.

Chion Wolf (file photo) / Connecticut Public Radio

It's Friday, but our pop culture roundtable is off this week.

Today, in lieu of The Nose, an hour with America's Greatest Living Film Critic, David Edelstein.

Focus Features

There are plenty of questions about what the future of live performance looks like right now, and, in certain ways, no form seems more displaced by social distancing and everything else than does standup comedy. As such, people are just going to have to try new things, right? New York club comedian Ted Alexandro's YouTube comedy special is one of the first such experiments.

Warner Bros. Entertainment Inc.

Three years ago, we did a show where we asked which fictional dystopian future we were actually already living in. Now that we've arrived at, ya know, this present moment, that show has been on our minds. But we've realized we've got a new set of questions now too.

Disney

Last Friday night, Disney released the #1 movie in the country -- Pixar's Onward -- for digital download on iTunes/Amazon/etc. It's safe to say, that's the first time that's ever happened.

When you say "the #1 movie in the country," you're talking about what was #1 last weekend or maybe last week. Onward was also the #1 movie in the country specifically on last Thursday... when it made $33,296. There are times when movies make that per screen.

There's a movie on that domestic chart that one person went to see. It made $6. That movie, though, wasn't at the bottom of that chart… because there are three movies on that chart that no one went to see. In the country.

Kathea Pinto / flickr creative commons

Humans have been using soap for literally millennia -- nearly five of them... at least.

And while there's a run on alcohol-based hand sanitizers, it turns out that good, old-fashioned soap is a simpler, more-reliable way to destroy all that coronavirus that might be all over your gross, dirty hands.

Hulu, LLC

As with all things, The Nose has never been a Nose quite like this week's Nose. First off, for almost every Nose ever, we've put four (sometimes more) people in a radio studio for an hour. This Nose is four people talking to each other from very separate places, and none of them is a radio studio.

Meanwhile, we've said goodbye to movie theaters. Tom Hanks and Rita Wilson and Idris Elba have all tested positive. People have been using Tinder as a news service. I mean, it's hard to imagine that we'll ever go back to normal.

And so, we might as well watch some TV then, right? The Nose has tried out Hulu's new adaptation of High Fidelity with Zoë Kravitz in the lead role.

Warner Bros.

The movie musical died a long, slow death a long time ago. Right?

Well, except that there's La La Land. And Moana. And The Greatest Showman and A Star Is Born and Mary Poppins Returns. Oh, and Bohemian Rhapsody and Rocketman. And Frozen II and The Lion King and Aladdin.

Those are just from the last five years. And I could keep going, but then I might forget to mention that Steven Spielberg's version of West Side Story comes out this year or that the Hamilton movie comes out next year.

This hour, a long look at the long-dead movie musical. Long live the movie musical.

Lionsgate

Quarantine culture is coming. Maybe. So we start with a look at the coronavirus in comedy, COVID in culture, etc.

And then: Knives Out is Rian Johnson's fifth feature film as writer and director. It's mostly a howcatchem in the vein of Columbo and an all-star ensemble cast murder mystery in the tradition of Agatha Christie adaptations like Murder on the Orient Express. It was nominated for three Golden Globes, including Best Picture (Musical or Comedy), and Johnson's screenplay was nominated for an Oscar. It's out on DVD/Blu-ray/4K and for rental on iTunes/Amazon/etc. this week.

Trinity College

Ugandan-American musician Samite Mulondo combines music and storytelling in his performances. This hour, Samite returns to our studios to talk about his newest piece, The Story Of Mutoto, which he performs at the University of Saint Joseph this weekend.

And  Hartford’s art house theater Cinestudio celebrates fifty years of showing films this week. We talk with Cinestudio’s founders, James Hanley and Peter McMorris.

On December 13, 2019, the House Judiciary Committee voted to recommend two articles of impeachment against President Trump, and the full House of Representatives adopted them on December 18. On February 5, 2020, the Senate acquitted the president on both articles.

Going by those dates, the full, official impeachment saga lasted 54 days.

Our side-project, Saturday-show chronicling of the impeachment, Pardon Me (Another Damn Impeachment Show?), launched on December 6, 2019. 11 episodes and 12 hours of radio later, Pardon Me has come to its close.

This hour, in lieu of a proper Colin McEnroe Show, and continuing the Presidents' Day weekend festivities, we present the final installment of Pardon Me.

Four Department of Justice prosecutors working on the case of Roger Stone, a close friend of President Trump, withdrew from legal proceedings Tuesday after Attorney General William Barr overruled their sentencing recommendations. The president had complained about the long sentence.

Barr denied that President Trump asked him to intervene and claimed he wouldn't be "bullied or influenced by anybody." He said Thursday that the president should stop tweeting about DOJ criminal cases. The president took to Twitter Friday to say he has the "legal right." Shortly therafter, the DOJ dropped their probe into former FBI Deputy Director Andrew McCabe.

Before you think this is more than theater, keep in mind that Barr also set up a process to vet information that Rudy Giuliani is gathering in Ukraine. And he tasked prosecutors to review the case of former National Security Advisor Michael Flynn.

LOREN JAVIER / flickr creative commons

Every year, The Nose almost accidentally ends up covering a broad swath of the movies that wind up being nominated for Oscars.

I was a little worried this year, though, that some nonsense that's going on with the government (and its attendant preemptions) might prevent us from seeing and talking about as many of the awards season movies as we'd like to.

It turns out that, one way or another, we somehow got to 15 Oscar-nominated films accounting for fully 71 Academy Award nominations. Phew.

John Eckman / flickr creative commons

We've done this show every year around this time for some number of years now. Unless we missed a year or two in there somewhere. But we've probably tried to do this show for every year that The Nose has existed. Of course, we aren't really sure how many years The Nose has existed.

But the point is: The 92nd Academy Awards are this Sunday, and so this hour, it's the 2020 edition of The Noscars, which will cover movies from 2019 just like the 2020 edition of the Oscars covers movies from 2019. Or something.

Chion Wolf / Connecticut Public Radio

Sam Mendes's World War I drama, 1917, is currently the #1 movie in America. It won Golden Globe Awards for Best Director and Best Picture -- Drama, and it's nominated for 10 Academy Awards, including Best Picture, Director, Original Screenplay, and Cinematography. The cinematography nomination is probably the least surprising one, as the entire movie is shot to look as though it was one long, unbroken take.

Chion Wolf / Connecticut Public Radio

The Rise of Skywalker is the third and final movie in the third (and final?) trilogy -- the sequel trilogy in the trilogy of trilogies -- in the main, so-called "Skywalker Saga" of the Star Wars narrative. It's the eleventh Star Wars movie overall, the fifth since Disney bought Lucasfilm and took over the franchise, and the second directed by JJ Abrams (after The Force Awakens, the first of the Disney Star Wars films and the highest-grossing movie in the history of the United States). It is... somewhat divisive. The Nose weighs in.

And: Prince Harry and Meghan Markle have announced that they're backing away from their role as royals.

Plus: Winter. You either hate it, or you love it.

Julia / Flickr Creative Commons

They're in the books we read, the shows we watch, and the art we hang on our walls. They conjure notions of might, magic, romance, and more. Castles, perhaps as much as any other architectural structure in history, define the landscape of our fantasy and imagination.

Last month, we launched a whole other show. It's a weekly show airing on Saturdays at noon and hitting your podcast feeds on Fridays most weeks hopefully. It's called Pardon Me (Another Damn Impeachment Show?). It's about all the latest trends and tech in the world of industrial welding. Wait, no. That's not right. It's about the impeachment, silly.

Universal Pictures

Cats -- the new feature film based on the musical by Andrew Lloyd Webber and starring James Cordon, Judi Dench, Jennifer Hudson, Taylor Swift, and others -- opened last weekend and grossed $6.6 million in the U.S. It is the 19th-worst opening for any movie in very wide release in history. The 18 movies that opened to less money on a similar number of screens are mostly a bunch of stuff that you don't remember ever existed: Hoot, The Seeker: Dark Rising, Fun Size, Hardcore Henry, Keeping Up with the Joneses, The Wild Thornberrys Movie, etc.

Oh, and I forgot to say: In addition to being a financial disaster, Cats is also... terrible. It earned a C+ CinemaScore from audiences (which is really bad). And it's at 18% on the Tomatometer (which is really rotten). It's so bad that Universal released an updated version to theaters early this week that has hopefully slightly less bad special effects.

Alberto Sanchez / Flickr Creative Commons

It's been over 100 years since the first cartoons were drawn by hand. Since then, the genre has delved into everything from sex and drugs to racial inequality and war crimes. Even the tamest, G-rated cartoons have often found ways of slipping in adult humor past the eyes of younger viewers.

Sony Pictures

The Nose is off this week (because, on any given day, it's entirely possible that our whole show will be off with all this impeachment nonsense going on), so David Edelstein joins Colin for the hour to talk about some of the best (and some of the worst) movies of the year.

Netflix, Inc.

The Irishman is Martin Scorsese's first gangster movie in thirteen years. It's his first feature-length film with Robert De Niro in 24 years and his first with Harvey Keitel in 31 years. It's Joe Pesci's first onscreen performance since 2010 and just his third since 1998. It's the first time any combination of Al Pacino, Joe Pesci, and/or Harvey Keitel has ever worked together, and it's the first time Scorsese has ever directed Pacino.

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