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The Rise of Skywalker is the third and final movie in the third (and final?) trilogy -- the sequel trilogy in the trilogy of trilogies -- in the main, so-called "Skywalker Saga" of the Star Wars narrative. It's the eleventh Star Wars movie overall, the fifth since Disney bought Lucasfilm and took over the franchise, and the second directed by JJ Abrams (after The Force Awakens, the first of the Disney Star Wars films and the highest-grossing movie in the history of the United States). It is... somewhat divisive. The Nose weighs in.

And: Prince Harry and Meghan Markle have announced that they're backing away from their role as royals.

Plus: Winter. You either hate it, or you love it.

Cats -- the new feature film based on the musical by Andrew Lloyd Webber and starring James Cordon, Judi Dench, Jennifer Hudson, Taylor Swift, and others -- opened last weekend and grossed $6.6 million in the U.S. It is the 19th-worst opening for any movie in very wide release in history. The 18 movies that opened to less money on a similar number of screens are mostly a bunch of stuff that you don't remember ever existed: Hoot, The Seeker: Dark Rising, Fun Size, Hardcore Henry, Keeping Up with the Joneses, The Wild Thornberrys Movie, etc.

Oh, and I forgot to say: In addition to being a financial disaster, Cats is also... terrible. It earned a C+ CinemaScore from audiences (which is really bad). And it's at 18% on the Tomatometer (which is really rotten). It's so bad that Universal released an updated version to theaters early this week that has hopefully slightly less bad special effects.

The Nose is off this week (because, on any given day, it's entirely possible that our whole show will be off with all this impeachment nonsense going on), so David Edelstein joins Colin for the hour to talk about some of the best (and some of the worst) movies of the year.

Dave Eggers is the author of six books for young readers, including The Wild Things; three works of nonfiction, including Zeitoun; twelve novels, including What Is the What, A Hologram for the King, and The Circle; and the memoir A Heartbreaking Work of Staggering Genius, which was a finalist for the Pulitzer Prize for General Non-Fiction. He has written three screenplays, including Where the Wild Things Are with Spike Jonze. And he is the founder of McSweeney’s.

Last Thursday, Elon Musk unveiled Tesla's Cybertruck and Sacha Baron Cohen gave the keynote address at an Anti-Defamation League summit. Both performances have drawn mixed reactions.

And: The Mandalorian is the big, new, original, launch title for Disney's new streaming service, Disney+. It's a half(ish)-hour western set in the Star Wars universe, and three episodes have dropped so far.

The Irishman is Martin Scorsese's first gangster movie in thirteen years. It's his first feature-length film with Robert De Niro in 24 years and his first with Harvey Keitel in 31 years. It's Joe Pesci's first onscreen performance since 2010 and just his third since 1998. It's the first time any combination of Al Pacino, Joe Pesci, and/or Harvey Keitel has ever worked together, and it's the first time Scorsese has ever directed Pacino.

The news comes fast in the world of the canceled these days. Louis CK is back out on tour. President Obama has a "very boomer view" of the whole thing. The New York Times reports on teens' takes.

Meanwhile, some celebrities, rather than getting themselves canceled, are getting themselves arrested. Jane Fonda, for instance. And Sam Waterston. And Ted Danson.

And: Bong Joon Ho's genre-defying new movie, Parasite, won the Palme d'Or at Cannes, and it's being called "a nearly perfect film" and "the best movie of the year."

Watchmen is a limited series of comic books that became a graphic novel in 1987 and a feature film in 2009. And now it's an HBO series from Damon Lindelof that acts as a kind of sequel to the original comics, set 34 years later.

And: Today is John Dankosky's last day at Connecticut Public after 25 years. There is just no denying that WNPR wouldn't be what it is -- and The Colin McEnroe Show wouldn't be at all -- if it weren't for Mr. Dankosky. The Nose tries to begin to come to terms.

This week, The Washington Post published "The 20 defining comedy sketches of the past 20 years" covering television sketch comedy of the 2000s. It includes a lot of what you'd expect it to include: SNL's "More Cowbell" and "Black Jeopardy with Tom Hanks," Inside Amy Schumer's "Last F---able Day," Chappelle's Show's "Frontline -- Clayton Bigsby."

That headline is just a direct quote from James Poniewozik's Audience of One: Donald Trump, Television, and the Fracturing of America. I was torn between that line from the book and this one:

Donald Trump is not a person.

Poniewozik's take is that "Donald Trump" is really a character that Donald Trump has been playing on television since at least the early 1980s.

Martin Scorsese is a grump. He doesn't like Marvel movies. He says they aren't "cinema." He says they aren't even narrative films, and "we shouldn't be invaded by it." The internet, as you can imagine, has takes.

And: The Eddie Murphy comeback is on. He appeared on Comedians in Cars Getting Coffee this summer. He's hosting Saturday Night Live in December. He's got multiple standup comedy specials in the works. And right now he's starring in the briefly-in-theaters-but-hitting-Netflix-next-weekend biopic Dolemite Is My Name.

From the penny press, to yellow journalism, to supermarket tabloids and beyond, sensationalized news has been around for centuries. But while this style of reporting may have its critics, it may also serve as an important reflection of American culture and democracy.

Joker is director Todd Phillips's modern take on movies like Taxi Driver and The King of Comedy. It stars Joaquin Phoenix in the title role in what happens also to be... a Batman movie. It's been called "a gloriously daring and explosive film" and "a movie that borders on genius" but also "bleak and juvenile" and "a movie of a cynicism so vast and pervasive as to render the viewing experience even emptier than its slapdash aesthetic does."

The Netflix limited series Unbelievable stars Toni Collette, Merritt Wever, and Kaitlyn Dever. It tells the true story of a serial rapist and the investigation that caught him, and it's based on the Pulitzer Prize-winning Marshall Project and ProPublica article "An Unbelievable Story of Rape" and the This American Life episode based on that.

The Nose couldn't decide which of last weekend's two big new movies to go see, so it went to both.

Downton Abbey, the feature film continuation of the incredibly popular PBS series, is the number one movie in the country. Its $31 million opening was the biggest ever for the studio that made it, Focus Features. Not bad for a PG-rated, special effects-free drama made for grownups.

Merriam-Webster has added 533 new words to its dictionary. Words like "deep state," "pickleball," "escape room," and "Bechdel test." My favorite is probably "fatberg." But there's a particular new dictionary entry that The Nose is specifically interested in: "dad joke."

Bill Murray, Eddie Murphy, Chevy Chase, Steve Martin, John Belushi, John Candy, Rick Moranis.

Animal House, The Blues Brothers, Beverly Hills Cop, Caddyshack, Ghostbusters, ¡Three Amigos!, Funny Farm, Spaceballs, Stripes.

We maybe didn't properly appreciate it at the time, but the 1980s were one of the most fertile periods ever for screen comedies and screen comedians.

This hour, a look at the mavericks who shaped a whole comedy aesthetic and at some of the most popular movie comedies ever made.

It's hard to believe, but The Matrix is 20 years old this year. And its influence is all over the culture with bullet time and red pills and the "woah" meme and so much more.

Sticks & Stones is Dave Chappelle's fifth standup comedy special for Netflix in three years. All four previous specials won the Grammy for Best Comedy Album, and one of them won the Emmy for Outstanding Variety Special. The critical response to this latest special, though, has been a bit more muted.

The Nose has this odd habit of covering basically every new Taylor Swift single/video. And so there's a new Taylor Swift single/video. And so The Nose is covering it.

And: As this is the way the world works now, a Facebook post has started a backlash against Frank Pepe Pizzeria over... politics. Sigh.

Everything's canceled, more or less. The movie The Hunt was canceled before anybody got to see it. People talked about canceling the movie Adam before anybody got to see it. Sarah Silverman was canceled, from a movie anyway, for something she did -- on television -- 12 years ago. The OA was canceled, but people maybe don't believe that it was canceled? And we're apparently on a path toward canceling... the Dewey decimal system?

Two things arrived this week that the world probably didn't previously know it needed: The Impossible Whopper and "the definitive Nicolas Cage interview." The Nose taste tests one of them live on the air and discusses both. I'll leave it a mystery which is which.

Plus, a look at two movies: the Charlize Theron-Seth Rogen rom-com Long Shot (now available on iTunes/Amazon/DVD/Blu-ray/etc.) and the Cambridge Analytica documentary The Great Hack (out now on Netflix).

Why do we expect women to clean up everybody's messes all the time? The Cut's Lisa Miller thinks it just might be because of... purses:

Women's bags [...] allow us -- like sherpas or packhorses -- to lug around the tool kits of servitude. A woman is expected to be prepared for every eventuality, and culture has formalized that expectation. Online, lists of necessities proliferate: 12, 14, 17, 19, 30 things a woman should keep in her purse. Almost all include tissues, breath mints, hand sanitizer, and tampons -- but also "a condom, because this is her responsibility, too."

Last weekend, Marvel unveiled its plans for Phase Four of the Marvel Cinematic Universe (along with a few hints and winks and nods about Phase Five -- which is mostly notable 'cause it means they're planning a Phase Five).

And we're currently in the middle of a year when, when it's all said and done, the top eight highest-grossing movies may well have all come from Disney or Marvel or both. The top eight. That's not a typo. Here, look:

There's kind of a lot going on this week: There's rumored to be a new 007. The Emmy nominations are out. There's a new dating trend called 'Caspering.' Farhad Manjoo thinks we should all use the singular 'they.' 1.7 million people want to raid Area 51. Anthony Fantano (or an animated version of Anthony Fantano, really) is in the new "Old Town Road" video. During the New York City blackout, Star Wars fans helped direct traffic... with their lightsabers. And: The Cats trailer is out, and it's maybe kind of, uh, horrifying?

Spider-Man: Far From Home is the 23rd feature film in the Marvel Cinematic Universe and the final entry in its Infinity Saga. It is the 11th and final film in the MCU's Phase Three, even though everybody thought it'd probably be the first part of Phase Four, and now nobody really knows what Phase Four will start with.

I haven't entirely understood anything I've written so far, but I do get this bit: There won't be another Marvel movie for ten whole months -- all the way until next May.

Bill Murray, Eddie Murphy, Chevy Chase, Steve Martin, John Belushi, John Candy, Rick Moranis.

Animal House, The Blues Brothers, Beverly Hills Cop, Caddyshack, Ghostbusters, ¡Three Amigos!, Funny Farm, Spaceballs, Stripes.

We maybe didn't properly appreciate it at the time, but the 1980s were one of the most fertile periods ever for screen comedies and screen comedians.

This hour, a look at the mavericks who shaped a whole comedy aesthetic and we'll look at some of the most popular movie comedies ever made.

No one is surprised to hear that Disney is planning a live-action remake of The Little Mermaid. Some people were surprised, though, at the announcement that Halle Bailey, who is African American, has been cast as the titular Ariel. And probably the least surprising part of the whole thing is that part of the internet (the racist part) is mad about it.

And: Rapper Lil Nas X came out on the last day of Pride month. Is this news?

The concept of the early 20th century sideshow evokes images of bearded ladies, sword swallowers and exotic  'others' exhibited as 'freaks' before audiences both lured and repelled by what they saw.