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As with all things, The Nose has never been a Nose quite like this week's Nose. First off, for almost every Nose ever, we've put four (sometimes more) people in a radio studio for an hour. This Nose is four people talking to each other from very separate places, and none of them is a radio studio.

Meanwhile, we've said goodbye to movie theaters. Tom Hanks and Rita Wilson and Idris Elba have all tested positive. People have been using Tinder as a news service. I mean, it's hard to imagine that we'll ever go back to normal.

And so, we might as well watch some TV then, right? The Nose has tried out Hulu's new adaptation of High Fidelity with Zoë Kravitz in the lead role.

Netflix, Inc.

Katy Perry dropped a new single and video (which we apparently call a "visual" now) on Wednesday night. The video ends with what's being called "a stunning reveal."

And: A pair of new comedy specials caught the Nose's eye. Pete Davidson's Alive in New York on Netflix and Whitmer Thomas's The Golden One on HBO are both kind of... sad-funny? Funny-sad? And maybe in a particularly millennial way.

Warner Bros.

The movie musical died a long, slow death a long time ago. Right?

Well, except that there's La La Land. And Moana. And The Greatest Showman and A Star Is Born and Mary Poppins Returns. Oh, and Bohemian Rhapsody and Rocketman. And Frozen II and The Lion King and Aladdin.

Those are just from the last five years. And I could keep going, but then I might forget to mention that Steven Spielberg's version of West Side Story comes out this year or that the Hamilton movie comes out next year.

This hour, a long look at the long-dead movie musical. Long live the movie musical.

Lionsgate

Quarantine culture is coming. Maybe. So we start with a look at the coronavirus in comedy, COVID in culture, etc.

And then: Knives Out is Rian Johnson's fifth feature film as writer and director. It's mostly a howcatchem in the vein of Columbo and an all-star ensemble cast murder mystery in the tradition of Agatha Christie adaptations like Murder on the Orient Express. It was nominated for three Golden Globes, including Best Picture (Musical or Comedy), and Johnson's screenplay was nominated for an Oscar. It's out on DVD/Blu-ray/4K and for rental on iTunes/Amazon/etc. this week.

Home Box Office, Inc.

The Outsider is a planned 10-episode HBO miniseries based on the Stephen King novel of the same name. It airs on Sundays nights, and we're six episodes in so far. The premise is actually pretty simple: What if a guy actually were in two places at once? Then what? The ramifications of that, though, are about as complicated as you'd expect from Stephen King.

And: a look at the Gayle King/Snoop Dogg controversy, our latest edition of Carolyn Paine Explains a New Dating Term, and Netflix finally changes that one thing you've always hated... unless you didn't hate it.

LOREN JAVIER / flickr creative commons

Every year, The Nose almost accidentally ends up covering a broad swath of the movies that wind up being nominated for Oscars.

I was a little worried this year, though, that some nonsense that's going on with the government (and its attendant preemptions) might prevent us from seeing and talking about as many of the awards season movies as we'd like to.

It turns out that, one way or another, we somehow got to 15 Oscar-nominated films accounting for fully 71 Academy Award nominations. Phew.

John Eckman / flickr creative commons

We've done this show every year around this time for some number of years now. Unless we missed a year or two in there somewhere. But we've probably tried to do this show for every year that The Nose has existed. Of course, we aren't really sure how many years The Nose has existed.

But the point is: The 92nd Academy Awards are this Sunday, and so this hour, it's the 2020 edition of The Noscars, which will cover movies from 2019 just like the 2020 edition of the Oscars covers movies from 2019. Or something.

The Senate has voted, 51 to 49, not to subpoena witnesses or documents in its impeachment trial of President Trump. Closing arguments are expected on Monday, and a verdict could come next Wednesday afternoon.

This week, Colin and The Gist's Mike Pesca puzzle over the Republican strategy and Alan Dershowitz. He's the Trump attorney who argued that the president could engage in a quid pro quo that benefited him personally as long as he believes his reelection is in the public interest. Dershowitz believes the media misunderstood his argument. These are his words.

And New York Times TV critic James Poniewozik gets into the impeachment as television. He's not entirely sure democracy will be renewed for another season.

Chion Wolf / Connecticut Public Radio

Sam Mendes's World War I drama, 1917, is currently the #1 movie in America. It won Golden Globe Awards for Best Director and Best Picture -- Drama, and it's nominated for 10 Academy Awards, including Best Picture, Director, Original Screenplay, and Cinematography. The cinematography nomination is probably the least surprising one, as the entire movie is shot to look as though it was one long, unbroken take.

Chion Wolf / Connecticut Public Radio

The Rise of Skywalker is the third and final movie in the third (and final?) trilogy -- the sequel trilogy in the trilogy of trilogies -- in the main, so-called "Skywalker Saga" of the Star Wars narrative. It's the eleventh Star Wars movie overall, the fifth since Disney bought Lucasfilm and took over the franchise, and the second directed by JJ Abrams (after The Force Awakens, the first of the Disney Star Wars films and the highest-grossing movie in the history of the United States). It is... somewhat divisive. The Nose weighs in.

And: Prince Harry and Meghan Markle have announced that they're backing away from their role as royals.

Plus: Winter. You either hate it, or you love it.

Universal Pictures

Cats -- the new feature film based on the musical by Andrew Lloyd Webber and starring James Cordon, Judi Dench, Jennifer Hudson, Taylor Swift, and others -- opened last weekend and grossed $6.6 million in the U.S. It is the 19th-worst opening for any movie in very wide release in history. The 18 movies that opened to less money on a similar number of screens are mostly a bunch of stuff that you don't remember ever existed: Hoot, The Seeker: Dark Rising, Fun Size, Hardcore Henry, Keeping Up with the Joneses, The Wild Thornberrys Movie, etc.

Oh, and I forgot to say: In addition to being a financial disaster, Cats is also... terrible. It earned a C+ CinemaScore from audiences (which is really bad). And it's at 18% on the Tomatometer (which is really rotten). It's so bad that Universal released an updated version to theaters early this week that has hopefully slightly less bad special effects.

Sony Pictures

The Nose is off this week (because, on any given day, it's entirely possible that our whole show will be off with all this impeachment nonsense going on), so David Edelstein joins Colin for the hour to talk about some of the best (and some of the worst) movies of the year.

Dave Eggers is the author of six books for young readers, including The Wild Things; three works of nonfiction, including Zeitoun; twelve novels, including What Is the What, A Hologram for the King, and The Circle; and the memoir A Heartbreaking Work of Staggering Genius, which was a finalist for the Pulitzer Prize for General Non-Fiction. He has written three screenplays, including Where the Wild Things Are with Spike Jonze. And he is the founder of McSweeney’s.

Chion Wolf / Connecticut Public Radio

Last Thursday, Elon Musk unveiled Tesla's Cybertruck and Sacha Baron Cohen gave the keynote address at an Anti-Defamation League summit. Both performances have drawn mixed reactions.

And: The Mandalorian is the big, new, original, launch title for Disney's new streaming service, Disney+. It's a half(ish)-hour western set in the Star Wars universe, and three episodes have dropped so far.

Netflix, Inc.

The Irishman is Martin Scorsese's first gangster movie in thirteen years. It's his first feature-length film with Robert De Niro in 24 years and his first with Harvey Keitel in 31 years. It's Joe Pesci's first onscreen performance since 2010 and just his third since 1998. It's the first time any combination of Al Pacino, Joe Pesci, and/or Harvey Keitel has ever worked together, and it's the first time Scorsese has ever directed Pacino.

Chion Wolf / Connecticut Public Radio

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The news comes fast in the world of the canceled these days. Louis CK is back out on tour. President Obama has a "very boomer view" of the whole thing. The New York Times reports on teens' takes.

Meanwhile, some celebrities, rather than getting themselves canceled, are getting themselves arrested. Jane Fonda, for instance. And Sam Waterston. And Ted Danson.

And: Bong Joon Ho's genre-defying new movie, Parasite, won the Palme d'Or at Cannes, and it's being called "a nearly perfect film" and "the best movie of the year."

Chion Wolf / Connecticut Public Radio

Watchmen is a limited series of comic books that became a graphic novel in 1987 and a feature film in 2009. And now it's an HBO series from Damon Lindelof that acts as a kind of sequel to the original comics, set 34 years later.

And: Today is John Dankosky's last day at Connecticut Public after 25 years. There is just no denying that WNPR wouldn't be what it is -- and The Colin McEnroe Show wouldn't be at all -- if it weren't for Mr. Dankosky. The Nose tries to begin to come to terms.

Jonathan McNicol / Connecticut Public Radio

This week, The Washington Post published "The 20 defining comedy sketches of the past 20 years" covering television sketch comedy of the 2000s. It includes a lot of what you'd expect it to include: SNL's "More Cowbell" and "Black Jeopardy with Tom Hanks," Inside Amy Schumer's "Last F---able Day," Chappelle's Show's "Frontline -- Clayton Bigsby."

Netflix

That headline is just a direct quote from James Poniewozik's Audience of One: Donald Trump, Television, and the Fracturing of America. I was torn between that line from the book and this one:

Donald Trump is not a person.

Poniewozik's take is that "Donald Trump" is really a character that Donald Trump has been playing on television since at least the early 1980s.

Netflix

Martin Scorsese is a grump. He doesn't like Marvel movies. He says they aren't "cinema." He says they aren't even narrative films, and "we shouldn't be invaded by it." The internet, as you can imagine, has takes.

And: The Eddie Murphy comeback is on. He appeared on Comedians in Cars Getting Coffee this summer. He's hosting Saturday Night Live in December. He's got multiple standup comedy specials in the works. And right now he's starring in the briefly-in-theaters-but-hitting-Netflix-next-weekend biopic Dolemite Is My Name.

brownpau / Flickr Creative Commons

From the penny press, to yellow journalism, to supermarket tabloids and beyond, sensationalized news has been around for centuries. But while this style of reporting may have its critics, it may also serve as an important reflection of American culture and democracy.

Chion Wolf / Connecticut Public Radio

Joker is director Todd Phillips's modern take on movies like Taxi Driver and The King of Comedy. It stars Joaquin Phoenix in the title role in what happens also to be... a Batman movie. It's been called "a gloriously daring and explosive film" and "a movie that borders on genius" but also "bleak and juvenile" and "a movie of a cynicism so vast and pervasive as to render the viewing experience even emptier than its slapdash aesthetic does."

Chion Wolf / Connecticut Public Radio

The Netflix limited series Unbelievable stars Toni Collette, Merritt Wever, and Kaitlyn Dever. It tells the true story of a serial rapist and the investigation that caught him, and it's based on the Pulitzer Prize-winning Marshall Project and ProPublica article "An Unbelievable Story of Rape" and the This American Life episode based on that.

Twentieth Century Fox Film Corporation

The Nose couldn't decide which of last weekend's two big new movies to go see, so it went to both.

Downton Abbey, the feature film continuation of the incredibly popular PBS series, is the number one movie in the country. Its $31 million opening was the biggest ever for the studio that made it, Focus Features. Not bad for a PG-rated, special effects-free drama made for grownups.

Chion Wolf / Connecticut Public Radio

Merriam-Webster has added 533 new words to its dictionary. Words like "deep state," "pickleball," "escape room," and "Bechdel test." My favorite is probably "fatberg." But there's a particular new dictionary entry that The Nose is specifically interested in: "dad joke."

Columbia Pictures

Bill Murray, Eddie Murphy, Chevy Chase, Steve Martin, John Belushi, John Candy, Rick Moranis.

Animal House, The Blues Brothers, Beverly Hills Cop, Caddyshack, Ghostbusters, ¡Three Amigos!, Funny Farm, Spaceballs, Stripes.

We maybe didn't properly appreciate it at the time, but the 1980s were one of the most fertile periods ever for screen comedies and screen comedians.

This hour, a look at the mavericks who shaped a whole comedy aesthetic and at some of the most popular movie comedies ever made.

Warner Bros

It's hard to believe, but The Matrix is 20 years old this year. And its influence is all over the culture with bullet time and red pills and the "woah" meme and so much more.

Chion Wolf / Connecticut Public Radio

Sticks & Stones is Dave Chappelle's fifth standup comedy special for Netflix in three years. All four previous specials won the Grammy for Best Comedy Album, and one of them won the Emmy for Outstanding Variety Special. The critical response to this latest special, though, has been a bit more muted.

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