celebrities

Everything's canceled, more or less. The movie The Hunt was canceled before anybody got to see it. People talked about canceling the movie Adam before anybody got to see it. Sarah Silverman was canceled, from a movie anyway, for something she did -- on television -- 12 years ago. The OA was canceled, but people maybe don't believe that it was canceled? And we're apparently on a path toward canceling... the Dewey decimal system?

And: Amazon Prime's new superhero series, The Boys, imagines a world where something like the Marvel Cinematic Universe is real... and something like the Marvel corporation exists too.

Two things arrived this week that the world probably didn't previously know it needed: The Impossible Whopper and "the definitive Nicolas Cage interview." The Nose taste tests one of them live on the air and discusses both. I'll leave it a mystery which is which.

Plus, a look at two movies: the Charlize Theron-Seth Rogen rom-com Long Shot (now available on iTunes/Amazon/DVD/Blu-ray/etc.) and the Cambridge Analytica documentary The Great Hack (out now on Netflix).

Why do we expect women to clean up everybody's messes all the time? The Cut's Lisa Miller thinks it just might be because of... purses:

Women's bags [...] allow us -- like sherpas or packhorses -- to lug around the tool kits of servitude. A woman is expected to be prepared for every eventuality, and culture has formalized that expectation. Online, lists of necessities proliferate: 12, 14, 17, 19, 30 things a woman should keep in her purse. Almost all include tissues, breath mints, hand sanitizer, and tampons -- but also "a condom, because this is her responsibility, too."

Last weekend, Marvel unveiled its plans for Phase Four of the Marvel Cinematic Universe (along with a few hints and winks and nods about Phase Five -- which is mostly notable 'cause it means they're planning a Phase Five).

And we're currently in the middle of a year when, when it's all said and done, the top eight highest-grossing movies may well have all come from Disney or Marvel or both. The top eight. That's not a typo. Here, look:

There's kind of a lot going on this week: There's rumored to be a new 007. The Emmy nominations are out. There's a new dating trend called 'Caspering.' Farhad Manjoo thinks we should all use the singular 'they.' 1.7 million people want to raid Area 51. Anthony Fantano (or an animated version of Anthony Fantano, really) is in the new "Old Town Road" video. During the New York City blackout, Star Wars fans helped direct traffic... with their lightsabers. And: The Cats trailer is out, and it's maybe kind of, uh, horrifying?

Spider-Man: Far From Home is the 23rd feature film in the Marvel Cinematic Universe and the final entry in its Infinity Saga. It is the 11th and final film in the MCU's Phase Three, even though everybody thought it'd probably be the first part of Phase Four, and now nobody really knows what Phase Four will start with.

I haven't entirely understood anything I've written so far, but I do get this bit: There won't be another Marvel movie for ten whole months -- all the way until next May.

Bill Murray, Eddie Murphy, Chevy Chase, Steve Martin, John Belushi, John Candy, Rick Moranis.

Animal House, The Blues Brothers, Beverly Hills Cop, Caddyshack, Ghostbusters, ¡Three Amigos!, Funny Farm, Spaceballs, Stripes.

We maybe didn't properly appreciate it at the time, but the 1980s were one of the most fertile periods ever for screen comedies and screen comedians.

This hour, a look at the mavericks who shaped a whole comedy aesthetic and we'll look at some of the most popular movie comedies ever made.

No one is surprised to hear that Disney is planning a live-action remake of The Little Mermaid. Some people were surprised, though, at the announcement that Halle Bailey, who is African American, has been cast as the titular Ariel. And probably the least surprising part of the whole thing is that part of the internet (the racist part) is mad about it.

And: Rapper Lil Nas X came out on the last day of Pride month. Is this news?

The concept of the early 20th century sideshow evokes images of bearded ladies, sword swallowers and exotic  'others' exhibited as 'freaks' before audiences both lured and repelled by what they saw.

The Nose doesn't much miss a chance to cover Taylor Swift. And it turns out, Taytay's got a new song and video... for Pride Month... and it's been received, let's say, kind of skeptically. (Relatedly, here's a listicle: All 126 Taylor Swift Songs, Ranked From Worst to Best.)

It's hard to believe, but The Matrix is 20 years old this year. And its influence is all over the culture with bullet time and red pills and the "woah" meme and so much more.

Rocketman is the sort of movie where (tiny spoiler ahead here, I suppose) "Elton John," at one point, becomes an actual "rocket man"... and blasts off into the sky... with fire shooting out of his feet. I mean, what else do you need to know really, right?

Graduation season is upon us. Your niece is finishing high school. Your neighbor's son is graduating from Tulane. Your boss just got her second Master's. How did it get to be that the obvious gift for all of these people is... a Dr. Seuss book?

And then: Vulture, this week, published a click-bait listicle ranking all the HBO shows ever. The Nose took the bait and clicked. And... Six Feet Under didn't make the top ten? Girls isn't in the top 25? John from Cincinnati made the top 30? Did anybody even understand that show?

And speaking of shows, George Clooney and Grant Heslov's new Hulu miniseries is a four-and-a-half-hour, six-episode adaption of Joseph Heller's Catch-22. Is that what the world needed right now?

For the past few months, Nose regular Jacques Lamarre has been posting debate-starting, head-to-head style Facebook posts.

Taylor Swift vs. Katy Perry. Ketchup vs. mustard vs. mayonnaise. When Harry Met Sally vs. Sleepless in Seattle. That kind of thing.

And so now, we've decided to try to turn the concept into a radio show. This hour, YOU MUST CHOOSE.

From his rapid-fire stand-up comedy riffs to his breakout role in Mork & Mindy and his Academy Award-winning performance in Good Will Hunting, Robin Williams was a singularly innovative and beloved entertainer. Dave Itzkoff's new biography is Robin.

And 10 years after his death, a look back at the work of George Carlin.

It's been a rough week for the famous. Last Saturday, Peggy Lipton died at age 72. On Monday, Doris Day died at 97. Then on Tuesday, it was Tim Conway at 85. And yesterday, I. M. Pei died aged 102.

And the week's gone kind of the same way for TV shows too. On Sunday, Veep finished its seven-year run on HBO. Last night, The Big Bang Theory aired its 279th and final episode. And Game of Thrones's series finale is set to air this coming Sunday.

Father of the Bride is Vampire Weekend's fourth studio album, their first in nearly six years, and their first for a major label. It has been called a "masterpiece" and a "multi-layered dissertation on the world's ills." It's also been called "mild" and "some of the worst ideas the band has ever put to tape." The real question is, though: Is Vampire Weekend still cool?

And then: Gorman Bechard's Pizza, A Love Story has its New Haven premiere in a few weeks at this year's NHdocs documentary film festival. The Nose talks Pizza, specifically, and pizza, more generally, from the pizza capital of the world.

Avengers: Endgame is the 22nd feature film in the Marvel Cinematic Universe. It is the fourth Avengers movie and the fourth MCU entry directed by Anthony and Joe Russo. It is the 10th film in the MCU's Phase Three and the last part of its Infinity Saga. I didn't understand very much of that stuff I just wrote, but I totally get this last bit: Avengers: Endgame may well be on its way to becoming the highest-grossing movie ever made.

And then: Taylor Swift's new single/video, "Me," is setting records of its own. Never mind that the duet with Panic! at the Disco's Brendon Urie is maybe kinda... terrible?

The concept of the early 20th century side show evokes images of bearded ladies, sword swallowers and exotic  'others' exhibited as 'freaks' before audiences both lured and repelled by what they saw.

To say Beyoncé's performance at Coachella was historic feels like an understatement. In about the span of a week, Queen Bey released a two hour Netflix exclusive film (part one of her deal with the streamer) of the entire concert, a 40-track live album from the same show, which was released unexpectedly, and just for fun, she released her 2016 pop culture smash album "Lemonade" on all streaming platforms, which was originally exclusive to just Tidal.

This week, the long awaited final season of Game of Thrones launched on HBO.

As more than 17 million viewers dig in for one last round, some of the Nose's most dedicated fans gather to discuss what's made this series such a hit, and what they're thinking about as the show marches toward its end.

What is country music? If you ask Billboard, it's definitely not Lil Nas X's viral sensation, and the number one song in America, "Old Town Road." The song, which was also remixed with country star Billy Ray Cyrus, has country themes, vibes, and sounds country, but Billboard booted it off their country charts.

This week, Will Leitch, from New York Magazine, wrote that "The Era of the Old Athlete is Over." Is it? And what does this mean for the future of sports?

During his remarkable career with the Boston Red Sox, Ted Williams earned many nicknames: The Kid, The Splendid Splinter, Teddy Ballgame... but the only nickname that he ever wanted was "the greatest hitter who ever lived."

The sophomore film from any new director is oftentimes held to a harsher critique than their debut movie. It’s unfair. But Jordan Peele’s directorial debut was such a profound moment in 2017 culture, that anything he created after couldn’t live to the success of Get Out.

And then there was Us.

This week, on Last Week Tonight, John Oliver tackled public shaming with perhaps the one person who has had the worst case of public shaming in recent memory, Monica Lewinsky. The interview focused on how Lewinsky survived the shaming, and she said if social media was around in the mid-90s, it could have been worse.

This week, Facebook, Instagram, and WhatsApp suffered major worldwide outages, and Twitter previewed some possible new changes. And people took to (what else?) social media to (what else?) complain.

And: The Ringer asks the age-old question, if a TV show falls in the woods, and no one talks about it, can it be certified fresh? Or something like that.

And finally: Captain Marvel is the 21st feature film in the Marvel Cinematic Universe. It is the ninth movie in the MCU's Phase Three. It is, chronologically, a sequel to 2011's Captain America: The First Avenger and a prequel to 2008's Iron Man. I didn't follow much of that, but I get this part: After 11 years and all those previous movies, it's the first one with a female lead.

It's been rough going here for the famous for a little while. This week, Jeopardy! host Alex Trebek announced his stage four cancer diagnosis. Hall of Fame pitcher Tom Seaver retired from public life because of his dementia diagnosis. And then there are the deaths: Actor Luke Perry at 52. The Prodigy frontman Keith Flint at 49. Actress Katherine Helmond at 89.

Also this hour: a look at Netflix's new not-exactly-the-X-Men, but-still-adapted-from-a-comic-book series, The Umbrella Academy.

For the past few months, Nose regular Jacques Lamarre has been posting debate-starting, head-to-head style Facebook posts.

Taylor Swift vs. Katy Perry. Ketchup vs. mustard vs. mayonnaise. When Harry Met Sally vs. Sleepless in Seattle. That kind of thing.

And so now, we've decided to try to turn the concept into a radio show. This hour, YOU MUST CHOOSE.

It was hard to watch the first part of Leaving Neverland, the documentary which aired on HBO aired on March 3. The poignancy of the mixed emotions expressed by two men and their mothers who fell under the spell of Michael Jackson and later, his predation, left me feeling like a fly on the wall of a particularly difficult visit to a therapist. I was forced to consider my own complicity in how we collectively create and reward a celebrity culture that allows us to suspend reality against our own better judgment.